This gig is inspired by the Like a Version radio program on ABC Triple J. The program’s name plays on both the idea of a “cover version” and Madonna’s 1984 hit Like a Virgin, capturing the idea of making something fresh from something familiar. On Like a Version, musicians take well-known songs, morph them into different styles, and make them their own. Jazz musicians have been doing exactly that since the beginning.
In fact, many of the songs we now call jazz standards began life as popular songs before jazz musicians adopted them, adapted them, and transformed them into vehicles for improvisation. Tunes like Summertime (1935) from Porgy and Bess, “covered” by Billie Holiday; Someday My Prince Will Come (1937) from Disney’s Snow White, “covered” by Miles Davis; and My Favourite Things (1959) from The Sound of Music, “covered” by John Coltrane all started outside jazz. They became legendary because jazz musicians reinterpreted them and made them their own Like a Version.
In the 1960s, the centre of popular music shifted away from Tin Pan Alley, and both pop and jazz exploded into a kaleidoscope of sub-genres, borrowing from each other and absorbing just about everything happening in life and music. Since then, jazz has become increasingly difficult to define, especially in the 21st century. But that’s great news. Rather than being boxed in by narrow definitions, we have more than a century of the cats to draw on for inspiration.
So, in the spirit of Like a Version, this gig is your chance to dive into that rich jazz tradition and turn a popular song you love into your own jazz standard.
Just like jazz greats before you, your group will take a popular song and rework it into a jazz version. That means thinking about:
As you analyse the chosen song: arrange, practice, demo, jam, rehearse and share through playing live and/or recording.
We’ve shared our process for creating the GBL Like a (Jazz) Version of good 4 u. We hope it might help you to find your own process.
Once we’d made a list of “ingredients” of good 4 u, we started to imagine how those ingredients might translate into a jazz setting:
The Cannonball Riff
We study Cannonball’s iconic version of Autumn Leaves in The Song Book Gig. That version inspired the idea of the ostinato intro but this version “pushes” beat one of the second bar – just like the second bar of good 4 u.
Scary Pockets
This cover showed the potential to “style shift” with a cool approach to the “gear changes” – going “hot” for the verses and “cool” for the chorus – clever. Also, amazing melody adaptation and improvisation.
Once we had the “straight” intro idea from Cannonball, the pieces fell into place. good 4 u would make a great “Latin Swing” tune! We went to the cats for great examples of Latin Swing – Latin A Section – Swing B Section, and started to map out our arrangement:
Intro – Bossa feel – bass and muted guitar share riff that’s similar to the Cannonball riff but moves between F#mi and Emin
Verses – Bossa feel – riff continues, add piano vamping with extended chords
Chorus – Swing, walking bass, charleston rhythm inspired comping, extended chords.
Vamp – Back to intro feel
Etc…
Choose a popular song. Use Hook Theory to help with song choice.
Analyse the chosen song using our analysis template:
The Like A (Jazz) Version Gig Analysis Template
Use the GBL Analysis Example as inspiration:
The Like A (Jazz) Version Gig Analysis Example
Create a D.A.W. session and use your analysis to map out:
See the Gig Based Learning D.A.W. Map on the right for a possible approach.
Practice, demo, jam, and rehearse your arrangement through playing live and/or recording in a D.A.W.
good 4 u
(Olivia Rodrigo)
GBL Tempo = 130 bpm
(Drummer Count – 1,2. 1,2,3,4)
Well, good for you, I guess you moved on really easily
You found a new girl and it only took a couple weeks
Remember when you said that you wanted to give me the world? (World)
And good for you, I guess that you’ve been working on yourself
I guess that therapist I found for you, she really helped
Now you can be a better man for your brand-new girl (girl)
Well, good for you, you look happy and healthy
Not me, if you ever cared to ask
Good for you, you’re doing great out there without me, baby
God, I wish that I could do that
I’ve lost my mind, I’ve spent the night
Crying on the floor of my bathroom
But you’re so unaffected, I really don’t get it
But I guess good for you
Well, good for you, I guess you’re gettin’ everything you want (ah)
You bought a new car and your career’s really takin’ off (ah)
It’s like we never even happened, baby, tell me what is up with that? (Ha)
And good for you, it’s like you never even met me
So many of the tunes that define “classic” and form the basis of the Real Book began their life as popular music. Here’s a selection:
Even after The Real Book was codified, jazz musicians have continued to transform popular songs into jazz repertoire:
The NPR Curious Listener’s Guide to Jazz – Loren Schoenberg
A beginner-friendly guide to jazz history, key artists, and essential recordings, written in an accessible reference style for new listeners.
The Jazz Standards: A Guide to the Repertoire
An updated new edition of Ted Gioia’s acclaimed compendium of jazz standards, featuring 15 additional selections, hundreds of additional recommended tracks, and enhancements and additions on almost every page.
The History of Jazz
Ted Gioia tells the story of this music as it has never been told before, in a book that brilliantly portrays the legendary jazz players, the breakthrough styles, and the world in which it evolved.
How to Listen to Jazz
Ted Gioia presents a lively introduction to one of America’s premier art forms. He tells us what to listen for in a performance and includes a guide to today’s leading jazz musicians.
Music: A Subversive History
Histories of music overwhelmingly suppress stories of the outsiders and rebels who created musical revolutions and instead celebrate the mainstream assimilators who borrowed innovations, diluted their impact, and disguised their sources.
A long-running Triple J segment where artists perform live covers and reinterpretations of existing songs, often reshaping them creatively and stylistically.
An inside look at how artists prepare, arrange, and perform their live covers for the Like a Version segment, including creative process insights and studio workflow.
A practical guide to reharmonization, explaining how chords can be substituted or restructured while keeping the melody intact to create new harmonic interpretations.
A breakdown of the song “Good 4 U,” including its release, genre influences (pop-punk/alt-rock), composition, and cultural impact as a major 2021 hit.
An interactive historical timeline covering key developments in Western music performance, orchestral evolution, and major cultural milestones in music history.
A community-made reference chart showing chord substitution and reharmonization options, used as a practical tool for experimenting with harmonic variation in songs.
Arranged by
Gig Based Learning
This version is a jazz version of good 4 u featuring:
Registration is for teachers, schools, colleges and universities only.